Showing posts sorted by relevance for query brougham. Sort by date Show all posts
Showing posts sorted by relevance for query brougham. Sort by date Show all posts

Wednesday, December 03, 2025

A "brougham" is primarily a historical horse-drawn carriage and, later, an automobile body style with the driver exposed to the elements, and the passengers in an enclosed compartment, named after Scottish politician and lawyer Henry Brougham. So, why did Ryan aircraft name a plane, the Ryan Brougham?


Unlike a coach, the carriage had a glazed front window, so that the occupants could see forward.

In the automotive world, the term was adopted for various luxury models and trim levels, typically a four-door sedan with a closed, formal body. Cadillac's Fleetwood Brougham and Ford's LTD Brougham







The Ryan Brougham was a small single-engine airliner produced in the United States in the late 1920s and early 1930s. Its design was reminiscent of the M-1 mailplane first produced by Ryan in 1926, and like it, was a high-wing, strut-braced monoplane of conventional design.

Unlike the M-1, however, the Brougham had a fully enclosed cabin for the pilot and four passengers. The Brougham prototype was derived from the later M-2 and was powered by a 150 hp Hisso engine. 

The first production B-1 Brougham was ordered by a local hotel owner, but was delivered instead to well-known pilot Frank Hawks and was named "The Gold Bug". 

 Hawks renamed his B-1 "Spirit of San Diego" and flew to Washington with his wife to greet the triumphant Lindbergh. In the ensuing glare of publicity, Hawks was hired by the Ryan Aircraft company to be its official representative.

Another reason for the success of the Brougham was its performance at the 1927 National Air Races in Spokane, Washington where Hawks, who had obtained a contract with Maxwell House Coffee, with the now renamed "Miss Maxwell House" came in first for speed in the Detroit news Air Transport Speed and Efficiency Trophy Race

Charles Lindbergh had come to the factory to examine that first B-1, but had instead ordered a completely new aircraft to his specifications. He used the Ryan NYP Spirit of St. Louis on his record-breaking transatlantic flight of 1927.


right after the Lindbergh flight the B1 was the best selling plane in the US and this continued until the summer of 1928, when unsold planes began to pile up at San Diego. The company moved to St Louis and finally Detroit.

They even customized the one above, the Pride of Pittsburg, to fly the MGM lion across country in 1927.... it crashed of course.  We all know cats love to fly. 

Imagine being the pilot, in the plane with a lion, that just crashed. 

Imagine being the guys who showed up to the crash site in the canyons... with a lion that is in a plane, that just crashed. 









https://www.flickr.com/photos/sdasmarchives/5684570628

Tuesday, March 21, 2023

1927 Lincoln Model L, English Coaching Brougham by Judkins



For the 1927 New York Salon, both Locke and Judkins built carriage replicas. Locke's offering was the Louis XIV French Brougham, while Judkins was inspired by Abbott & Downing’s famous Concord Coaches.
Built for Lincoln on a 1927 Model L chassis, it was called a "English Coaching Brougham", and was without a doubt, Judkins most famous vehicle.
Built for exhibition by the Ford Motor Co and was based in part on an old horse-drawn coach that was on display at Henry Ford's Wayside Inn. 
Designed by John F. Dobben in cooperation with Edsel Ford, the car was also shown at the 1927 Chicago and Los Angeles Salons.

Dobben remembered visiting the Wayside Inn at Sudbury, Massachusetts, to see the old coach that was on display which Ford stated was the one "in which George Washington and Lafayette rode." Dobben also remembered traveling to the old Abbot-Downing plant in Concord, New Hampshire with John Judkins to get a photo of an actual Concord Coach to use as a model for the Lincoln commission. Four or five pencil sketches of similar designs that used both the Concord Coach and the one at the Wayside Inn were presented to Edsel Ford, who picked his favorite which became Judkins' English Coaching Brougham.

The interior followed the pattern of earlier coaches, with seats and doors cov­ered in tufted dark green morocco leather, and headlining of red plush. The ceiling had an additional coverlet of lace, which could be detached and washed. Small hammocks of hand-knotted string, like fishnets, were provided to hold the passengers' odds and ends, as on horse-drawn Concord Coaches. The exterior was finished in coaching yellow and black, with coaching vermillion striping.

It was much admired by Mrs. W. C. Fields at the 1927 New York Salon but remained unsold until the wealthy father of Ethel Jackson, an aspiring movie actress, purchased it in 1928 for publicity purposes. Unfortunately the car didn’t help her career – she appeared in only three movies, 2 1935 Bill Cody B-Westerns and un-credited in 1936’s After the Thin Man.

In 1931 it was sold to the MacMillan Oil Company for use in promoting the Beverly Hill Billies, a popular radio vocal group unrelated to the stars of the 1960s TV show. W.C. Fields did get to ride in it later, when it was used to promote one of his movies, 1932’s Million Dollar Legs

Saturday, June 04, 2011

1957 Chevrolet El Morocco, one of the rarest Chevs, it was customized with Dodge, Kaiser, and Willys parts


can you laugh with me, that I was taking photos of one, didn't know what it was. This was at the Del Mar Goodguys here in San Diego





The primary reason for the low production numbers was the $800 conversion price which moved it too far out of reach for most consumers. It was too close to the base price for a Cadillac
It's the first time an outside contractor had designed and built a customized Chevrolet model which was later sold as a new car with a full factory warranty. The bodywork was restyled to resemble the 1955-1957 Cadillac Eldorado Biarritz, Seville and Brougham by R. Allender & Company

The primary reason for the low production numbers was the $800 conversion price which moved it too far out of reach for most consumers. It was too close to the base price for a Cadillac, which was the target to beat.

Cadillac introduced their Eldorado Brougham, not in spite or in competition with the El Morocco, but Allender felt the need to create a new El Morocco to emulate the new Brougham.
Allender was a longtime Cadillac owner who envisioned a smaller, easier to maneuver Cadillac that his grandchildren could learn to drive with. He purchased a new Eldorado Biarritz convertible in 1955 and reckoned that with some additional bodywork, the new 1955 Chevrolet could be re-styled to resemble the Eldorado.

Problems with the fiberglass body production for the 1956 cars led to the use of steel for the 1957 models. This required comprehensive metalwork changes, including removing and filling the 1957′s rocket hood spears with steel, and welding on the steel rear tail-fin extensions. The car’s interiors and exterior hardware was set aside for reuse or sale to local collision shops.

The first cars were created in 1956 on Chevrolet platforms and designed to resemble the 1955 and 1956 Cadillac Eldorado. The name ‘El Morocco‘ was from a popular Manhattan night club and had similarities to the name ‘El Dorado’.

The 1956 El Moroco’s featured body panels made of fiberglass. A host of trim parts and designed were borrowed from Willys, Dodge and Kaiser-Frazer to complete the package
http://caretro.com/1957-chevrolet-el-morocco/

Cars were purchased from Detroit’s Don McCoullagh Chevrolet at $50 over cost, and Allender used off-the-shelf parts wherever possible. The 1956 El Morocco included a Kaiser-Frazer horn button for its hood medallion, ’55 Willys dash panels for the door top saddle moldings and '55-'56 Dodge Coronet taillights mounted side-by-side above faux exhaust ports that resembled those used on the real Biarritz. The front bumpers included fiberglass reinforced ‘Dagmars’ made from reversed ’37 Dodge headlight shells and the rear fins were edged with trim supposedly sourced from a 1955 Ford.

How did Allender get to customizing Chevies for resale? He was a resale artist. He started his business career and fortunes by pitching fabrics for sale, he would cut off samples of cloths, then take them around and pitch his sales prices. Getting the contract, he'd go back, purchase at wholesale, and sell retail and pocket some profit, and build his business to the point he bought army surplus parachutes, and sold them back to the army at a huge gouging profit. He got into a lot of trouble for that, had to testify before Congress that he wasn't a crook.
http://www.coachbuilt.com/bui/a/allender/allender.htm

Three El Moroccos were at Dick Clarks "57 Heaven" in Branson Missouri
http://www.bransonworld.com/branson-attractions/detail/branson-57-heaven-at-dick-clark-s-american-bandstand-theater.html

Wednesday, March 06, 2019

What does it take to win the Ridler? Besides 2.3 million dollars to a world leader in perfect custom car creation? A 1 of 99, 1959 Cadillac Brougham with a body by Pinninfarina, a Nomad rood, and a Nelson racing engine with 632 cubes and 1025 hp


Built by Super Rides by Jordan in Escondido, California, the starting point was a 1959 Cadillac Eldorado Brougham, a no-expense-spared luxury sedan with a body handcrafted by Pinin Farina in Italy.

 Just 99 examples were built for 1959, each priced at $13,074, at a time when other Cadillac Eldorado models – two-door hardtops or convertibles – listed for $7,401.

It was decked, chopped, sectioned, and lost the rear doors while the front doors were stretched. Then a Nomad roof was added.

In the finalists of the great 8, I don't see any Foose, Trepanier, Johnson, Pure Vision etc etc usual custom shops with an entry.



https://www.foxnews.com/auto/1959-cadillac-station-wagon-wins-ridler-award-for-best-hot-rod
https://www.hemmings.com/blog/2019/03/05/cadmad-perhaps-the-worlds-only-59-cadillac-eldorado-brougham-station-wagon-takes-the-2019-ridler-award

Monday, June 04, 2012

one of 304, 1958 Cadillac Eldorado Brougham


what they left off this call out card is extensive, but in a nutshell it was the most expensive car made that year:  $13,074... for the 1958 Cadillac Brougham. $2000 more than the Rolls Royce that year (Hot Rod Deluxe May 2008, Page 42)
From a feature on this car http://www.johndagostinokustomkars.com/images/58%20Cadillac%20Eldorado%20Brougham%20Kustom%206.jpg
I posted a good gallery of a 1957 Eldorado Brougham a couple years ago http://justacarguy.blogspot.com/2008/05/most-expensive-car-made-in-1957.html 

Thursday, September 18, 2014

1914 Rauch and Lang Electric Brougham








This regal 1914 Brougham was built during the glory days of the electric car, and is perhaps the finest example of the luxurious Rauch & Lang Brougham. It is elegantly upholstered in plush red velvet and comfortably seats four and has remarkable all-around visibility for passengers and the driver, who, incidentally, control the car from a rear seat. With tiller steering, it was not that easy to maneuver at speeds above 30 mph.

 text from http://www.conceptcarz.com/events/eventVehicle.aspx?carID=13392&eventID=157&catID=1146

Friday, January 18, 2013

Suede and chrome El Dorado Brougham at the Bo Huff Rockabilly car show 2012


 



Part of the Axel Draggers Car Club, and the King Daddy Caddy club, this is a remarkable find. The rarity of a 57-57 Cadillac El Dorado Brougham and the likely cost of purchasing this car make it so amazing to find in anything but a museum or Concours de Elegance show.  http://justacarguy.blogspot.com/search?q=brougham 

Monday, March 24, 2008

Wednesday, December 23, 2015

The interior of a 1926 Rolls Royce Phantom Brougham De Ville, only 40,000 miles since new. Probably the most expensive Rolls Royce ever made


close up detail of the above image



All of the woodwork for the interior, panels, cabinets and window trim was done in the Clark shop, but some of the more elaborate carving was done in London with the elaborate paintings of cherubs on the headliner done by a Frenchman living there.



Mr C W Gasque was an American businessman of French ancestry living in London who was a director of F W Woolworth and Co and whose wife was a Woolworth heiress.. The car was to be a surprise present for his wife and the body was certainly one of the most wonderfully crafted and exotic ever built on a motor car. Mr Gasque obviously had great confidence in the taste and the integrity of Mr Barnett as he left both the design details and the price to his discretion. Mr Gasque’s only stipulation was that the interior should be in the antique French style.

Mr Barnett visited London’s Victoria & Albert Museum where he saw a Sedan Chair which had belonged to Marie Antoinette. This was a miniature carriage, designed to be carried by two strong men, and it had a painted ceiling which inspired him to commission a French artist to paint a similar ceiling for the new car. This ceiling, which is painted with charming amoretti and pink roses, was raised slightly to enable the installation of hidden lighting. The unknown artist also painted - very much in the style of Angelica Kauffman or Adam Buck the ovals and roundels on the quartered satinwood veneers to the doors, central division and revolving vanities.

The central division has the appearance of a highly decorative antique commode or chiffoniere which is raised on square tapered legs with spade feet, the central two door bow fronted cupboardof which conceals two shelves with a decanter, a flask, a silver salver, glasses and a porcelain bonbonnière.This cupboard is flanked on each side by hidden doors concealing the tapestry covered, gilt metal framed occasional seats.. This elaborate division is surmounted by a small French ormolu clock and two French porcelain vases containing gilt metal and enamel flowers. The central part of the interior is, in fact, more English than French in feeling and is typical of the late Victorian or Edwardian fashion for painted satinwood furniture in the style of a century before.



It is most probable that this body was the most costly ever built on a Rolls-Royce chassis. and therefore that the complete car was the most expensive Rolls-Royce ever built. Neither Mr or Mrs Gasque had any idea of how this magnificent gift looked until it was delivered to their London residence in April 1927. Incidentally, this ten month gap between the start and the finish of the construction of the coachwork is about three times the normal time taken by coachbuilders for bodies of similar style..

The Gasques were to enjoy their splendid carriage for only 18 months as Mr Gasque died in October 1928. The car was put into storage where it remained until the death of Mrs Gasque in 1952


http://www.charlescrail.com/sold-cars/226-rolls-royce-1926-phantom-i-brougham-de-ville
https://blog.hemmings.com/index.php/2016/11/16/part-art-museum-part-classic-car-the-phantom-of-love-rolls-royce-heads-to-auction-in-london/
https://www.dailymail.co.uk/news/article-4000854/Phantom-Love-vintage-Rolls-Royce-built-1926-gift-Woolworths-boss-s-wife-kitted-fine-art-tapestries-resembling-throne-room-Versailles-sells-561-000.html

Saturday, May 06, 2017

the strange cars of Nubar Gulbenkian, his taxis and Rolls Royces (thanks Dave!)


He had two Austin FX4 London taxis re-bodied for him in true brougham style, upright at the back with gold plated carriage lamps and an open chauffeur’s compartment. They were fitted with Rolls Royce engines.


They were built by FLM Panelcraft in Battersea, and at least one had wickerwork covered side panels.

Gulbenkian is supposed to have said two things about these conversions. First, that ‘it will turn on a sixpence – whatever that is’ and second to the effect that he liked his driver to be exposed to the elements since he never felt totally dry unless he could see someone who was totally wet.


“I wanted my taxi dolled-up, more comfortable inside and more distinguished outside, without losing its mobility. People recognize it. After a party or an opening they come and tell me where it is and I don’t have to wait.”



Nubar Gulbekian, one of the richest men in the world in his day. An Armenian business magnate born in the Ottoman empire, he was smuggled out to escape the genocide when only weeks old, in a Gladstone suitcase.

Nubar Sarkis Gulbenkian (1896-1972) was a British industrialist, philanthropist, bon vivant, oil tycoon, socialite, commercial attache to the Iranian Embassy (1926-51, 1955-56), he was one of the world's wealthiest men. He wore a monocle with aplomb, and a fresh orchid every day - custom-dyed if nature did not already provide a color suitable to the occasion. He held an Iranian, Turkish, and British citizenship.

 Son of multimillionaire financier Calouste Sarkis Gulbenkian, nicknamed “Mr. Five Percent” because that was his usual cut on Middle Eastern oil and who owned possibly the world’s greatest art collection.

His father created a utopian foundation with 450 million dollars, his family got a five percent cut of the crude oil pumped from Iraq. While filling out a market research form one day, Gulbenkian answered the question "Position in life." with "Enviable!"

He was married three times, "I've had good wives, as wives go, and as wives go, two of them went". In 1922, he married Herminia Fejo. In 1928, he married Dora Freeland (aka Doré Plowden) in London.

 He courted Marie Berthe Edmée de Ayala, daughter of the French champagne tycoon Louis d'Ayala, for 14 years before they married in 1948.

Gulbenkian began as an unpaid worker for his father, who was as noted for his miserly tendencies as his son would be for his spending, but later sued his father for $10 million, bizarrely after a refusal by the company to allow him $4.50 for a lunch of chicken in tarragon jelly.

It derived from Nubar’s taste for fine food – in this instance, a lunch of chicken in tarragon jelly with asparagus tips. When he was working for his father, Nubar had the meal sent into his office and allowed it to be paid for out of petty cash. His father was furious. Overreacting in turn to his father’s anger, Nubar took him to court to claim his share of the profits of a Gulbenkian subsidiary in Canada. By the time the argument was settled, the court costs amounted to $84,000, which the elder Gulbenkian paid. “That,” says Nubar, “was surely the most expensive chicken in history.”

Although he ultimately inherited $2.5 million from his father, as well as more in a settlement from the Foundation, Gulbenkian also became independently wealthy through his own oil dealings. He was initially the protégé of Henri Deterding at Royal Dutch Shell

Nubar was interviewed in Life magazine in Oct 1965 http://theesotericcuriosa.blogspot.com/2009/11/larger-than-life-nubar-sarkis.html

His autobiography, Portrait In Oil, in which he discusses not only his finances but his voracious appetite for preferred pleasures like foxhunting, riding, food, drink, the odes of Horace, and driving, which he took up shortly after his 65th birthday.

https://driventowrite.com/2016/03/13/a-new-brougham/


https://www.amazon.com/s/ref=sr_pg_2?rh=i%3Aaps%2Ck%3ANubar+Gulbenkian&page=2&keywords=Nubar+Gulbenkian&ie=UTF8&qid=1494066449

A genial man with the sexual mores of a Turkish pasha and the impeccable manners of an Oxford gentleman, Gulbenkian wrote an elegantly self-mocking, vastly entertaining book.

Early in life he approached the subject of women with gusto, although there is no evidence that he ever approached it with the same enthusiasm as his father. That august gentleman, on advice of physician, had a mistress no older than 18, which he changed every year, until he was 80.


Portrait in Oil: The Autobiography of Nubar Gulbenkian

https://www.amazon.com/Portrait-Oil-Autobiography-Nubar-Gulbenkian/dp/B0006D9AHA/ref=sr_1_1?s=books&ie=UTF8&qid=1494066702&sr=1-1&keywords=Nubar+Gulbenkian


Nubar Gulbenkian's very unique 1947 Silver Wraith was the result of car production almost ceasing during World War II so Gulbenkian suggested to Hooper to build a car as though the war had never happened. It would show just what car design WOULD have evolved to, and was dubbed ‘Pantechnicon’

http://www.bentleyspotting.com/2012/04/nubars-car-again.html




Rolls-Royce Silver Wraith by Hooper for Nubar Gulbenkian
 Perspex Roof 1956
 Intended for use in the South of France, this car has a transparent Perspex roof with an electrically operated fabric inner blind to keep the interior cool. The interior woodwork and dashboard are trimmed in leather. It has a speedometer fitted in the rear passenger compartment, air conditioning, electric windows.





He eventually sold the car, and it had a brief appearance as a movie prop in the 1964 French motion picture, Les Félins (released in the USA as Joy House and the UK as The Love Cage) which starred Hanoi Jane Fonda and Alain Delon.


in 1968 a nightclub owner in Nice France bought the car and parked it inside the club, so patrons could sit in it and order drinks.

Years pass and a French employee of a British used Rolls dealer steps into the nightclub, sees the car and bells go off in his head. He knows a bespoke Rolls when he sees one. He buys it, but there is this problem, the door that it came into the club has been walled up. No problem, a sledgehammer is proffered, the wall is broken down and the car liberated.

it went to auction with Bonhams in 2008
https://www.bonhams.com/auctions/16337/lot/154/

https://upload.wikimedia.org/wikipedia/commons/3/30/1956_Rolls-Royce_Silver_Wraith_Gulbenkian_%28cropped%29.jpg
http://www.carbuildindex.com/55917/the-bubble-top-rolls-hey-it-was-owned-by-an-armenian-who-fancied-himself-a-true-brit-and-is-one-of-my-heroes/
https://www.bonhams.com/auctions/22792/lot/42/?category=list