Monday, October 17, 2022

Shakespeare in the Parking Lot in its 27th year as a New York City FREE Shakespeare in NYC, reaching over 10,000 patrons each summer.


It began in a municipal parking lot at the corner of Ludlow and Broome Streets in Manhattan's Lower East Side.

Seats are available on a first come first serve basis, with audience members often arriving early to secure a place. You are encouraged and welcome to bring your own chair. Once seats are gone, blankets are spread out. "We've never turned anyone away and there's never a wait for tickets!" brags Clancy.

Shakespeare in the Parking Lot was begun in 1995 by Expanded Arts under the artistic direction of Jennifer Spahr. When Ms. Spahr retired in 2000, an organization known as Ludlow Ten was formed under the direction of Leonard McKenzie. The Drilling Company began co-producing SITPL with Ludlow Ten in 2001. After Mr. McKenzie's retirement in 2005, The Drilling Company was asked to continue the great tradition of Shakespeare in the Parking Lot.

We estimate that since 1995, Shakespeare's plays have been presented there for over 40,000 patrons.

Why a parking lot? "It is a tremendously accessible gathering place in the heart of the city. Like most companies that do Shakespeare, we are following the spirit of Joseph Papp. But putting our own spin on it by placing it in a parking lot, making an urban wrinkle," says Clancy. Shows are offered while the lot is in use. The action sometimes happens around a parked car which drives away during a performance. At such times, the players stop and the audience moves its chairs, pausing the performance the same way a show would stop for rain uptown in Central Park. It's all part of the fun.

In 2015, The Drilling Company's Shakespeare in the Parking Lot found a new home in the Parking Lot behind The Clemente Soto Velez Cultural and Educational Center (CSV), 114 Norfolk located on the east side of Norfolk Street between Delancey and Rivington Streets, just three blocks from the parking lot where the gritty cultural attraction started in 1995.

The productions are typically intrepid, bare-boned and often gloriously ingenious adaptations of the classics. For example, in 2010, Hamilton Clancy staged "Julius Caesar" as a battle for control of an urban school system, with women playing Antony, Brutus and Cassius.

https://www.wsj.com/articles/shakespeare-in-the-parking-lot-is-losing-its-parking-lot-1404930942

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