Though James Cameron created and employed advanced filmmaking technologies to realize his unique vision, his process of creative ideation began with pen, pencil, and paints long before he picked up a camera.
Cameron displayed remarkable ability at an early age, filling sketchbooks with illustrations of alien creatures, faraway worlds, and technological wonders. As he grew older, his art became increasingly sophisticated, exploring major themes that would imbue his later work—from the threat of nuclear catastrophe to the dangers inherent in the development of artificial intelligence.
Before he was a director, he was a VFX wizard — a borderline prodigy whose most notable early work consisted of practical special effects and set design. Cameron’s early projects were also not even remotely respectable genre outings — but rather pure schlock, some of it under the guidance of legendary B-movie producer Roger Corman.
Working in the film industry in his twenties, Cameron supported himself by illustrating theatrical posters and concept art for low-budget films before creating the visionary concept pieces that would help greenlight his first feature, The Terminator.
See the book quite thoroughly at https://halcyonrealms.com/books/tech-noir-the-art-of-james-cameron-book-review/
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