The location of an inconvenient roadway prevented an architect in 1477 from making a church in Milan as grand as he’d hoped — so he painted one of the earliest examples of trompe l’oeil in the history of art in a shallow niche that’s only a few feet deep.
Why he didn't instead use a smaller footprint for the church, and then have a nice deep cove behind the priests?
I think you talked about this guy :
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I have posted his work, thanks!
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