Showing posts with label fashion couture. Show all posts
Showing posts with label fashion couture. Show all posts

Monday, March 18, 2024

one of the rare Fashion Couture crossovers with the automotive field


1924 AGB (Art Goût Beauté) Salon de l'Auto, 
with fashions by Worth, Doucet, Lucien Lelong, Molyneux, Jean Patou, by the artist Paul Poiret in 1925

to see more of the fashion pages in full color like this, from 1910-1930 French magazine: https://hprints.com/en/search/pochoir/2/


In the 1910s, this oracle of the mode was Paul Poiret, known in America as “The King of Fashion.” In Paris, he was simply Le Magnifique, after Süleyman the Magnificent, a suitable soubriquet for a couturier who, alongside the all-pervasive influence of Sergei Diaghilev’s Ballets Russes, employed the language of Orientalism to develop the romantic and theatrical possibilities of clothing.

Poiret effectively established the canon of modern dress and developed the blueprint of the modern fashion industry. Such was his vision that Poiret not only changed the course of costume history but also steered it in the direction of modern design history.

While Poiret learned his craft at two of the oldest and most revered couture houses, he spent his first decade as an independent couturier not only breaking with established conventions of dressmaking, but subverting and eventually destroying their underlying presumptions. He began with the body, liberating it first from the petticoat in 1903 and then from the corset in 1906.

Saturday, February 03, 2018

4 years later, and finally a 2nd photo shows up from the blue Charger fashion clothes photo shoot at Vizcaya museum and gardens in Miami


http://www.overdrive.fi/forum/threads/vanhoja-valokuvia-ameriikan-raitilta.267070/page-187#post-3038795
I'm just going to go out on a limb and GUESS that this Super Bee was part of that same photo shoot


and based on the architecture, and the license plate's being the same, plus the fashion clothed young women, I think I've finally reunited photos that haven't been seen together in 48 years

http://www.overdrive.fi/forum/threads/vanhoja-valokuvia-ameriikan-raitilta.267070/page-188#post-3038801


I came across this one 4 years ago... and KNEW that there had to be more from this ad campaign, marketing, advertising thing. http://justacarguy.blogspot.com/2014/07/another-of-modeling-with-mopars-photo.html

the location is the mansion and gardens of the VP of International Harvester, James Deering, who bought 180 acres of Miami's Brickell Ave for his winter palace, and had his mansion built in 1916

Built by, and employing an impressive ten percent of the population of Miami over the course of those years—Vizcaya is one of the country’s most intact remaining estates from the Gilded Age, when the nation’s wealthiest industrialists built lavish homes inspired by European examples.

James Deering, Vizcaya’s owner, was retired from his position as Vice President of International Harvester, and his brother and father already had their mansions in nearby Coconut Grove and Cutler.

Deering enjoyed his Florida estate for less than nine years. He passed away in 1925 while returning to the U.S. from France.

Vizcaya suffered extensive damage in Miami’s 1926 hurricane, and due to old age, his brother who inherited it also passed away and Vizcaya went to his daughters who made it a museum by 1935.

They then gave 130 acres of Vizcaya’s property to Mercy Hospital and the Catholic Diocese of St. Augustine in the 1940s; the remaining 50 acres, including the Main House, gardens and Village, were conveyed to Dade County in 1951. Included was the donation of the estate’s substantial furnishings and art collection on the condition that Vizcaya be used as a public museum in perpetuity. In March 1953 Vizcaya opened to the public as the Dade County Art Museum.

http://vizcaya.org/centennial.asp

Friday, January 08, 2016

a couple cars from the '20s with fashion couture paint design. Just how long would these remain looking this way before the paint was out of fashion?


this Delaunay Belleville was found on https://www.facebook.com/marc.tudeau?fref=nf


Sonia Dealunay was the designer of the above, with famed illustrator Georges Lepape, to showcase on the cover of the Jan 1925 Vogue the ‘Simultaneous’ dress, next to a ‘Simultaneous’ car, January 1925 and below. The above hood ornament appears to be Avoin Viosin, but the car below was a Citroen.


Most noteable and prestigiously, Sonia Delaunay was the first woman ever to have an exhibition at the Louvre during her lifetime.

1925

http://hazelhomeartandantiques.blogspot.com/2015/07/sonia-delaunay-1885-1979-reaping-what.html
http://www.artbeat123.com/marymac/sandr.html
http://onthisdayinfashion.com/?p=10256
http://www.materiaincognita.com.br/customizacao-de-carros-comecou-ha-um-seculo-com-as-mulheres/

car hats, by Sonia, 1924-28


http://www.palaisgalliera.paris.fr/fr/oeuvre/bonnets-dautomobiliste-sonia-delaunay

update 2017

https://www.facebook.com/photo.php?fbid=10155452987224306&set=a.10155452987084306.1073742099.601289305&type=3